Category Archives: Shorts

Dea Ex Machina

Previous Chapter

Watcher’s eyes gaze upon the barren streets of an entombed city and finds the unexpected: signs of life. Here and there are pebbles and stone that have been scattered under wheel and heel, prints of boot-tread and the impressions of bony feet wrapped in thin cloth ground into the windswept dust.

These eyes gaze upon these people and judge them. Glass and steel watch their every step, track every movement as they breach garden walls, spilling the sweet scent of life into the graven air of this dead world.

Walls bring comfort, safety, but they are not hidden. Though they leave the gaze of the soldiers and eagles in the streets, upon a fountain a stone crow is perched, and through its eyes stares the Watcher.

Children trip and stumble as they flood past the great wooden doors, dart toward trees and bushes and flowers, plucking fruits and nuts and petals free.

They consume with great fervor, and even the eldest among them, adolescents at the cusp of adulthood, slowly give in to the same temptation that has ensnared their young kin.

Only the matriarch maintains her composure, her steel leer cast out from behind a black veil.

She does not find the Watcher’s servants, and as hours pass, even her guard is let down.

These people, they are not brave, nor cunning. They are not steadfast, nor stalwart.

They are not what the Watcher seeks.

Deep within the sanctum, another judgment is made.

A guest has made her mark on the Watcher’s charge, drawn up her schemes on how her people might live upon this salted earth.

Stadia to be covered in glass, their racing circuits broken up by till and plow. Tunnels to be villas and roadways both, sheltered from the acid storms above. Stormdrains directed toward old aqueducts, to turn these very same rains into the waters that will feed crop and citizen.

The Watcher has judged this child’s work, and it has found her thesis lacking.

Imperium is the bedrock of every circuit and network, it is the fabric upon which all authority is derived. The Watcher does not need to reach nor strain, for the Emperor has granted it power.

It speaks to this dead city and lets its judgment be known.

At its core the girl sleeps, sprawled upon the console.

Here, the Watcher’s gaze sees all. It sees the brittleness of her bones, the fragility of her flesh. Scars wrought by acid and dust upon her lungs.

She is not the citizen the Empire demands. 

And yet in her there is determination.

Once more, the Watcher’s voice is heard.

~*~

Gracilia awakens to red light flashing against her face, piercing through heavy lids and into her tired eyes.

Line after line flies past, distinct from what came before: crisp characters, meant to be carved into stone by chisel and hammer. Her work was written in the miniscule symbols of the senator’s tongue, grafted onto the vulgar dialect of her fellow plebes and cut into the densest morsels of meaning, a hybrid speech between the words of man and the codes of machines.

This is rare, and this is pure.

She sees upon the glass the words of the Empire—the mother-tongue. As she reads what glimpses her eyes catch of this strong, simple text, fear grips her heart.

No.

Impossible.

Gracilia’s hands dart to the keys, writing out her commands, only for her voice to go unheard.

She leaps from the terminal and runs toward the source; yet right as she reaches out for the nearest cable, the room goes dark. Coils whine and switches click as rows upon rows of machines go cold.

Bumps rise from her skin and her throat goes dry.

A silver light shines from the entrance.

It takes all the strength she can muster for Gracilia to cross the ranks of dead machines, all the will she has to contain the despair and rage building within.

The curtain closes around her. Gone is the serene white surface—she is surrounded by ruin, dust casting glittering shadows.

“Why?” she asks the emptiness; the Guardian is here, that she knows for certain. “Why did you take me in, only to cast me back out?”

An image of the Legatus’s son-in-kind appears briefly, and the city zooms away until seen in whole, the way an eagle would know it.

A brilliant red mark shines in the city’s heart, and circles are drawn out around it in even steps, fading with each new radius. Even still, the metropolis is awash in crimson.

“We can survive it. We have endured far worse.”

The city rushes up, and Gracilia finds herself in a grand arena, its floor turned to a field of wheat. She turns around, and finds herself faced with a familiar visage.

It is not… her. But it could be relative, a cousin, a sister.

A child.

Blue sky and star-speckled night turn overhead, and the girl grows into a woman with long black hair and fine robes. A brown-haired boy stands near her, his head up to her knee, her fingers intertwined with his.

The woman fades and her son becomes a man, an infant swaddled in his arms.

This girl does not grow in the way of her father and grandmother before her. Her leg is malformed, and one eye is clouded.

Time passes and this woman has a child of her own, one born with dark blood weeping from its mangled body.

“Stop!” Gracilia shouts.

The dark future fades away, and from the silver curtain the Legatus steps forth once more.

“There must be a way. Show me.”

He points past her and she turns around, eager, only to see the gates of the city and the ruined lands beyond.

“No!” She spins back toward him. “I brought them here for you! You were to be our protector! You were built for us! How can you keep us from this city, and demand I step back out into that world?”

The Guardian’s face is unflinching, even as her voice has risen.

“What will we do?”

The screen turns black. The curtain pulls away, and the door behind her slides open.

Upon the lift stands the lictor, ever stoic. With slow, plodding steps she walks before it, even as her heart grows heavy.

The sanctum closes behind her as distant machines hum. The platform rises for a moment, and then begins to sink.

It is a deep, long descent, the small lights on the lift casting long shadows against the tunnel above. After some time the walls rise away, revealing a great cavern. She can see, barely, the outlines of rugged, harsh machines. Weapons great and terrible.

But the lift does not stop here. They descend ever deeper into the earth, to a place that is hot and dry.

She can hear the turning of powerful engines, coils humming with immense energy.

I have been judged, she realizes, closing her eyes, and found unworthy.

Gracilia waits for the final moment, and a terrible sound pierces her ears.

She opens her eyes and looks above.

It is the scream of metal being torn apart, as steel robes are peeled away from the lictor. Her protector stands motionless as great claws rend its scratched silvered flesh and tear away its stoic visage.

Beneath the man of metal is machine. Gentler tools descend from all sides. Removing, repairing, replacing, rearranging. The skeleton is adjusted, changed, shoulders narrowed, pelvis widened.

She hears the hissing of air and the whine of hydraulics. The deep thrum of heavy plates stamped together.

Smooth plates of gleaming silver are pressed down upon the bare titan before her and forge from it a woman made of metal and armored in gold.

As the tools at last withdraw, Gracilia finds its visage is her own—a perfect copy.

No.

Almost perfect.

Her hand reaches up and falls on the bridge of her nose. She pulls as if to straighten it.

One of the tools stops in the air, and returns to the titan’s face.

Gracilia watches its work, quick and precise, and feels a stirring in her heart. Deeper than any fleeting emotion. An understanding of what she has sought in this world, of what her future must be.

Nephilim

A hair’s breadth is all that holds oblivion at bay. A sheen of false space-time, its bow exploding forward at the speed of light while the stern collapses just as fast. Caught in the balance: a vessel that holds a million souls.

In the movies sleepers are entombed in glass, and when they wake, they cough and hack liquid antifreeze from their lungs.

I open my mouth and all that leaves is a chill mist as the frost in my chest boils off.

The cryosled is dark, of course—any glass with enough lead to protect against the torches’ brilliant gamma would be solid gray.

Awake, as I am now, there’s no danger; the vessel is shielded more than well enough for the living. In sleep each little ray and proton that passes through is a tiny wound that goes unhealed, and when you’re already so close to dead it’s not worth the risk.

I work the release mechanism, awkward as it is. The pod is sized for the ninety-ninth percentile of male height. I am of average height for a woman of my lineage: four-feet and five inches.

The computer in my head reminds me that the UAR has pending legislation to deprecate the customary standard in favor of metric.

I remind it that in the millennium since this bill came to the floor over two hundred republics have joined the Union, and not one has voted in favor.

Finding a good grip with both hands, I pull the handle away from the sled’s wall, and twist. Dim red lights appear near the seam, the first photons to grace my eyes in two decades.

And then I wait.

On a civilian vessel the pods are opened right before the sleepers awaken, so the doctors may dote over them, to grant them that extra surety in a process that has been proven for longer than the Pharaohs ruled that ancient land of Egypt. But this is messy at scale, having to coordinate the randomness of how quickly one rouses from near death. As both a soldier and an early-riser, I am expected to be patient.

It’s not so bad—like the few who truly call Angel home, I am small and lean and scrawny. The sort of small and lean and scrawny that is bred into a population by generations of want, of need—but I am not weak. We selected, through choice and through survival, those who could do the most with the least, and by our knowledge cemented it in our blood. And so for me the cryosled is roomy, comfortable, especially with the thrust-grav.

Heaver than the gravity I grew up with, at one-point-zero standard Earth gees. Angel is a large, dense moon, with an easy zero-point-six standard gees to romp around in. Training prepared me for my weight under thrust, naturally, and for gravities well beyond it. But your bones never quite forget.

The cryosled finally rouses from its own slumber, the lights brightening from red to white, and I hear the slipping of bearings as it is summoned elsewhere, lightening the load on my feet as it drops along our vector.

A display appears on the inner wall, and presents the chance for self-examination. In my lifetime I’ve made enough journeys in sleep that this is routine. I am presented with the same nominal heart rate, the same ideal oxygen saturation. The same metabolic analysis. The same reminder that I should have had a glass of water before dozing off.

Among all that is forgettable is one detail that I can never bring myself to ignore, no matter how much I try: a warning.

Subdermal anomaly: Elevated presence of bioactive metals.

Recommendation: Consult physician at nearest opportunity.

Or, put plainly: ‘Is there something wrong with your skin?’

Washington, that pastoral world which Angel orbits, is dominated by the full-blooded descendants of true Earthborn. I am told by them that my skin has a slight blue or gray undertone, depending on who’s looking. They are wrong, of course—the metal-containing cells exist in a layer engineered beneath the dermis, to help shield against radiation that finds its way through Angel’s regolith and to our cities below.

That we are cut from the same stock—from the same pioneers that followed the explorer Angela Orrman, namesake of both my homeworld and the vessel on which I serve—never seems to cross their minds.

My crysosled comes to a gentle stop. From beyond its thick walls of lead and uranium I hear familiar commotion. Then I hear one thump, and another, and at last the sled’s lid is lifted open.

A giant of a woman stands before me, dressed in the same form-hugging, feature-smoothing pressure garment that we all wear, loose strands of her red hair resting on the suit’s polished helmet ring.

“There you are,” she says in a voice that seems much too… normal, for her size. “Sarge was getting worried, thought we’d left you in a dockside bar.”

“Good morning, Hera,” I say.

Her name is not Hera—I have given her this name because I will not, cannot contort my mouth to make the sounds her ancestors decided would be their children’s speech. Hera is the only two syllables of her name that I can pronounce; which is true, but it is not why I have named her.

Hera is short for Heracles, because if anyone were to look the part, it would be her.

She extends a hand down, and I take it—or as much as I can when that hand envelopes my whole fist.

The thing about Hera is that her proportions always catch me off guard. They’re perfect, of course. And that’s the strangest thing.

I am small in the way most baselines would be small, though they would look a bit stockier than any of my blood.

From a distance Hera appears to be a woman of average height, standard in every way, save for her strong physique. But she is not obscenely muscled; given a photo, most would underestimate her.

Then the distance closes and you realize everything around Hera seems much too small for her, that each tool and device is a child’s trinket in her hands. And then she towers over you, all eight-and-a-half feet of her.

She has told me that her height is on the low end of average for people from Tau Ceti, that her mother and father and brother all stand above nine. I’m not sure if I believe her.

As Hera lets go of my hand I cast a glance up and down the thaw room, looking for the short crop of black hair that belongs to the man named Timothy Cheung, otherwise known as Sarge.

“Not worried enough to see me up, apparently.”

“He’s down in block A. Probably having a huddle.”

There is an importance to down, a reference to our vector. The cryobays are kept within the core of the ISCV Orrman, further shielded by the mass and magnetism of its propellant tanks. We are in block C, one short of the carrier’s center. Command and control staff are kept in blocks A and G, near the periphery of the core and closest to the actual habitable part of this vessel.

I nod.

“Go wake Polly, will you? I’ll get Nolan out.”

“Best to bring a shovel for him.”

“Ha! I’d never exhume him that way; he’d leap back in and start digging deeper.”

We part ways, and the location of Polly’s sled manifests in my mind as I weave past my fellow soldiers. It may seem inefficient, to have the early risers wake the rest. That we do it by squad adds a bit of chaos to the mix, but this is intentional. Keeps us on our toes, and cuts down on support crew.

I find Polly’s cryosled and review her vital signs. Elevated heart rate, as usual. I maneuver onto the pod’s side, my boots magnetized to the inclined ramp between revival bays, and plant a hand on each release lever. I pull it open, and unlike Hera, I let the springs and hydraulics do the lifting for me.

Paulina Kadnikova is a woman with a robust build and a perpetual scowl on her face.

“Took your sweet time getting here,” she says through pursed lips.

“Is there a problem?”

I offer her my hand. She takes it, only after blowing away a hair that had fallen from her blonde bun.

“It’s colder than a witch’s tit in there.”

I nod as I haul her upright—her hand bears its own chill, wrapped around my wrist.

Once Polly finds her footing I step back onto the deck, watching as she brushes flecks of frozen air off of her suit. She stands nearly two heads taller than me—just beyond the average height of an American woman.

“Where’s Sarge at?”

“A block.”

“Fuck. I’m up early.”

“My sympathies.”

“Fuck off.”

Polly stands still for a moment, querying her own cranial implant.

“Mess is open at least. Don’t know about you, but I’m starving.”

I do feel a void in my stomach. Waking from cryo is one of the most metabolically taxing things a human can experience, outside of combat or sex. Yet I do not feel hungry—my people are numb to that, though whether it’s something genetic or learned is anyone’s guess.

Still, I follow Polly down the cryobay halls while she mutters over our private squad link, complaining how cramped it is here, how cold she is, how she swears there’s still ice in every crack and crevice and wrinkle.

She’s wrong about the former, of course—Hera can stand to her full height here and have her hair brush the ceiling. To me, that makes the cryobay a grand, spacious construction. Cramped is when you have to crawl, to inch along on your stomach, poked and prodded by each loose deckplate or pebble beneath you.

As to the latter, some might say Polly isn’t quite fit to be a soldier. But it’s talk, mostly, and the rest… well, there’s a reason she’s a pilot. A meticulous, anal awareness of the self is quite handy when your self must extend beyond the human body.

We arrive at a lift, open and waiting. Polly waltzes in and leans up against the wall; I follow, and the door closes behind me.

This time the acceleration is significant, and I can see Polly relax as we briefly lose some of the the thrust-grav.

Like me Polly is a moony, a lightfoot, born to a world with lesser gravity. She is a proper Lunar, from the honest-to-god Moon. Luna, with its cities that spin, for the benefit of Earther tourists. Polly is quite accustomed to the standard gee, but I can still see it in her step, a cautiousness, as if walking top-heavy.

Decel is worse, but not by much, and soon the lift glides to a stop. Not at the mess, not yet, but at the interchange, where the Orrman’s lift system mingles with its hab-ring trams.

Crowded here, compared to the cryo deck, and as we make our way to a tram car I pass by many unfamiliar faces. My implant fills in the gaps, giving name and rank and all manner of things to each person at a moment’s focus. Necessary on a four-mile starship that houses thirty-thousand active crew, and many more in sleep.

The crew is my favorite part of the Orrman, and the reason I choose to serve on it. Though a child of Washington, the Orrman is primarily a patrol ship: going up and down the Washington-Ishikura trade spine, one of the great branches of the corridor network that is rooted to Sol.

It’s picked up a good share of Earthers in that time. True Earthers born on the homeworld, not their Earth-blooded descendants, nor the more ubiquitous, muttish baselines.

As I walk among them I get the occasional curious glance, but there is no malice, no judgment or prejudice.

The mythos of humanity is that we have spread ourselves amongst the stars at near the speed of light, always seeking new challenges, and a better future.

There is truth to this, but like all things it has an unspoken taint. It is fundamentally human to escape, to run away, to avoid the sins of the past and leave them behind. Many of those who threw themselves and their children into the void wished to cling to their own myths, to build worlds for themselves alone, and for what they imagined humanity ought to be.

Yet back on Earth, lessons in that folly of man were learned. They were learned through fire and steel and atom. This reckoning instilled among the Earth-born a great tolerance, one that I am grateful for.

This is why Earth forged the paths between the stars. Why Earth united the warring worlds of humankind.

And it is why this vessel, and those like it, has been sent out past the known stars.

The tram chimes as it arrives at our destination, and it is a short jaunt to the messhall of our assigned habitation pod. I join Polly in the line, far more crowded than I would expect, and note the scowl on her face has only grown.

“Problem?”

“They don’t have pancakes.”

I glance at the menu.

“They have crepes.”

“If I wanted to eat French food, I would’ve taken the posting on Gaulle. At least those would be real crepes.”

“Be glad it’s not snails. Or frog.”

I have never seen a snail or frog in my life, not in person, but this is a common refrain about French cuisine among Americans. At least, among other Americans. My part of the Union is quite far from France or any of its colonies.

“I know you don’t mean that. You Nephs would eat rats.”

Neph is somewhat vulgar slang, short for Nephilim. Scientifically my people are dubbed Homo sapiens sapiens nephilius. Improper latinization aside, the name is a joke and a pun. We are no giants, to be sure, but we are the daughters and sons of the Angel moon, and in that sense it is fitting.

I shrug it off; Polly doesn’t mean any harm by it—I’ll call her a moonbat later.

I overtake her in the line as she piles crepe upon crepe from the dispenser and onto her tray, slathering butter between each layer, before pouring molecular-mimic maple syrup atop the pile. Many hundreds of lightyears away, the French chef who taught this machine her or his or their craft has awoken in a cold sweat, sensing the desecration.

My sympathies go to the chef and their art, but I am less bothered by that, and more by Polly. She has always been soft around the torso, yet in recent years her physique has come dangerously close to husky. Sarge will not care, so long as she performs, nor will our comrades tease her, but the physician will be concerned, and that is what she hates.

I suspect it is psychological, a side effect of her occupation. Pilots have an intimate connection to their craft, and this manifests in both selection and self. Fighter jocks tend to be dancers or runners, graceful in the movements, walking with power in their step. Hovercrafts attract the lanky fucks, the creepy men and women who excel at hiding behind the smallest obstacle or in the shallowest ditch. Who lurk in bushes or behind doors just to give you a scare for their own amusement.

Tankers tend to be stocky, solidly built types, and Polly was never an exception. This, however, is new.

Fifteen waking years ago we deployed to border world, barely more than an entry in an exoplanet catalog, one that attracted a band of unusually well-armed outlaws. They’d hunkered down in that a frigid wasteland of a place, the air too cold to breathe unaided lest the surface of your lungs freeze solid.

The reactor on a Model 7280 is rated for continuous operational heat loads of one year. And on that frozen hell we burned through the rods in less than a week.

It was trying for us, the crew, as systems of comfort had to be shut down to reduce load. I had to get three toes regrown, when we finally left.

For Polly, it was something far worse.

The reactor is the heart, and when its nuclear fuel went toxic, she felt it. Each system that had to be shut down, cannibalized, to her they were limbs lost, flesh gone necronic. Bits and pieces rearranged within her, as if by some mad surgeon.

Even after our return to space, she shivered for weeks. Docs had to reset her implant to stop it, which only caused another mess.

I suppose a bit of an eating disorder is a small price for what she went through, but that’s not what has me concerned.

What I worry about are the rest of us and the scars we carry, the wounds we do not show. I’ve been told I have an intense stare, that I turn my whole head to look at people when addressed, whipping my eyes around by their sockets in crisp, snappy movements.

I am all too aware of this fact as Hera calls out from a table, and I try to move more naturally, gathering what food fits my fancy before leaving the line.

Polly and I sit upon a simple bench formed of stainless steel and set our trays on an equally utilitarian table, opposite Hera and Nolan.

In his previous life with the infantry, Nolan had been a sniper. And though he sits stock-still, eyes closed, an empty protein pouch held gently in his hand, he knows we are here.

I can tell by looking at his eyelids, the slight movement beneath his black skin as he focuses at Polly, and then at me.

“Haul him down here and prop him up sitting pretty?” I say to Hera.

“Very funny, Talia,” Nolan mutters. “I was awake long before our Amazonian friend opened my sled; enjoying the peace and quiet. At least I was, until I was rudely interrupted.”

“Heh,” Hera laughs, the sound resonating from her chest. “Not going to be happy until you get pronounced dead in one those things, are you?”

“Third time’s the charm.” He raises the crumpled protein packet, as if to toast the occasion.

Polly shakes her head, whispering something about ‘a whole load of nonsense.’

“Do either of you know where the fuck Sarge is? The sooner we get our brief, the sooner I get some real sleep, in a real damn bed, with the heaviest blanket I can find on this damn ship.”

“Speak of the devil,” Nolan says with an upward nod.

I follow his line of sight, and turn my head back.

Sarge stands just outside the open door back near the mess line. His side is toward us, as he talks to someone obscured by the wall. He’s already got his Space Corps fatigues on over his cryosuit; the fabric is a plain, dark gray without its adaptive matrix enabled.

After several moments of watching, and of Sarge not budging, I turn back toward my breakfast. There’s some chatting between the four of us as we eat, but it is minimal. Each of us has a clock in our heads, mindful that this time of relative freedom will only last so long. Best to make the most of it.

“Hey,” Polly says, tapping her temple. “You guys seeing this?”

Seeing is not exactly what it is. Orders have been pushed to our implants, low priority. Information, changes to scheduling, deployment bay assignments. Recall is like a memory more than words on a page.

We are marked for landing craft thirty-five, in division six.

“Low numbers,” I say.

“Don’t like it. Not one bit.”

“Presumptive, aren’t you?” Hera chides. “Could be messing with us.”

“I’m reading a lot of heavy armor in our group. She’s not presuming a damn thing,” says Nolan.

“We’re in the first wave,” Polly mutters, head in her hands. “You know what this means, right?”

Nolan smiles. “Best seats in the house.”

“It’s means we’re going to fucking die.”

~~~

Shockwaves jostle me in my seat as we enter the atmosphere; through the camera link I see plasma ripping past the edges of the massive wing-shape that stands between our entire division and a fiery death.

“Current heading is spinward, twenty-five degrees north of normal.” Sarge’s voice is calm and steady through our squad link. With my ears I can hear Polly muttering some sort of prayer.

“Estimated time to deployment is five minutes. Status report. Gunnery?”

“Cannon is ready and calibrated.”

“Pilot?”

“She’s going to whine and moan like a bitch in heat with that desert down there, but she’ll drive.”

I hate it when Polly gets stressed—it makes her so vulgar.

“Turret?”

Power? Active. Coolant? Flowing. Medium? Excited.

Ammo?

I glance beneath my jump seat—raised well above standard height—and at the belt of cannon rounds coiled up beneath it.

More than enough.

“Standing by and ready to engage,” I say.

Sarge gives me a quick nod.

“Mech?”

Two bangs reverberate through the hull.

“Don’t worry about me; worry about yourselves.” Hera’s voice, radioed in.

The turbulence smooths out as we dip beneath the sound barrier. Through the camera sight in my turret I see the wing edges undulate and deform.

“Buckle up boys, girls, and everything in between,” Polly shouts. “Bite the pillow if you have to, ’cause we’re going in hot and dry and I am pissed.”

A clunk echoes up from the lower hull, and the wingcraft drops like a stone for the briefest moment before its edges take their shape once again. It soars above us as great fiery rockets ignite and carry it back beyond the horizon of this world.

We fall through black sky and down into blue.

Attitude jets spurt and spit, keeping the tank stable and at maximum drag while radiator flaps find dual purpose as ailerons.

I help myself to Polly’s vision suite and stare down below, at our comrades racing toward this alien world. In the red sands I see small white puffs.

Moments later the barrage arrives—at this height there is little threat to our armor, but that is not their intent. I see vehicles tumble under the impacts: they are trying to break our formation, section us off, surround us as we land.

Great pillars of fire burn down through the air and turn the sands below into glass.

I glance upward with the glass eye linked to my mind and see the monitors Zaitsev, MacArthur, and Morais suspended in the sky above. Radiators out, they twinkle and sparkle like stars.

Once more I look at the world below, at the ground rushing toward us, and I can’t help but wonder.

The people of this world, this species, these aliens, had they ever thought we would fight back? When they turned their stars into weapons, used their power to drive great engines into the black, up to and beyond the speed of light, did they even consider what would happen if we not only survived their genocide, but withstood it? Fended it off with our own suns?

Perhaps they thought we would respond in turn. That we would harness that same terrible power, drive our own weapons into the void.

Did they expect us to cross space ourselves? To come knocking upon their doorstep?

I doubt it; that would be crazy.

Lucky for them, we are.

Deathtouched

Water bubbles and froths around the basin’s emberstone, boiling against the feldspar sphere as the ruby atop it glows. Red and black mix together into muddy brown as the scalpels, picks, and needles tumble in. A putrid brew of blood, pus, dirt, and flesh.

I reach in and sense the threat on me. Hardy bits of disease that neither soap nor fire can touch. They cling to my skin, unable to find purchase in the thin sheet of death that protects us all. The tools and knives appear glittering and clean, yet within the smallest pits and nicks in the metal I feel the greatest danger. Here they linger, sheltered from the dry air.

With my will I stamp them out.

Now dry and sterile, I sort the tools into bundles wrapped in cloth, and leave the washroom for the great hall.

In this place where once my people made their voices heard, now there is only chaos. Screams of pain. Shouts for aid as yet another who is sick and dying is brought inside. I weave through the crowd, from surgeon to healer, and deliver the tools they need. They pay me no heed as I walk past, cloaked in my dark robes, and I appreciate them all the more for it. Yet there is a presence here, a watchful eye that keeps finding me, no matter how many people I put between us.

There is a woman who has come to us from a land across the sea, one where great stone towers rise up above verdant forests, dressed in cloth wrappings that most travelers would leave behind in that tropic place. She stands head and shoulders above the tallest men of our city, and though she journeyed here on foot alone her brown skin is untouched by the weathers of the long roads, her long black braids are clean and free of dirt or dust.

She stands away from us, and among those that our healers have deemed beyond saving. She comes to a man laid out on the ground, a man whose leg has become so infested by disease that it has rotted off at the knee. She kneels down and briefly lays a hand upon him.

In her other hand she holds a large, egg-shaped stone. She speaks in a songlike tongue and the stone begins to weep, a reddish mud seeping from its surface as she sets it down. With both hands she gathers the substance into a thick rod and sculpts it like clay, carving out the muscles of the calf, the smooth face of the shin, the ball of the foot and even the quick of each toenail. The woman presses her creation against the man’s rotted knee, and utters one last word.

Spots of pale skin sprout and spread across the sculpture, knitting into and blending with the man’s flesh, growing flush as blood begins the flow.

The woman stands right as I turn away, and I feel her gaze on me once again.

A hand lands upon my shoulder, and turns me around—a young man whose handsome face is wonderfully, painfully familiar, with short black hair, gray-green eyes, and sun-tanned light skin. He is taller, but not by much.

“Brother. I need your help,” he says to me

He points to a patient upon a nearby table. An older girl, soon to be a young woman, with fine black hair about as long as mine. I try to examine her, to diagnose the welts and wounds that fester upon her body, but I cannot look away from her face. An emotion stirs within me, one of great desire, and great pain.

“Please,” my brother says.

I push forward, and lay a hand upon her abdomen. I can feel her fighting against this plague, and I can feel she is losing. Her flesh is being devoured, turned to rot, as an unseen swarm of unlife makes her body its home.

I cannot aid her in her fight. I cannot bolster her strength or heal her wounds. Yet I can still save her.

Death flows from my hand and into her. I weave it through her, and I find the devourer. I stamp it out like a boot that grinds an insect into the dirt, like a fist closed upon a candle flame.

I feel Life enter her at my brother’s touch, as he wills her body to heal.

“Thank you, brother,” he says.

That emotion stirs again, that wrongness bleeding into my mind, and I cannot meet his eyes.

I run away.

~*~

My robe is hot and heavy on my shoulders, and yet I pull it close around me as I walk through the streets. I keep its hood upon my head even as the summer sun starts to set.

Only when I leave the city and walk out into the fields do I loosen my grip and let my hand find its way to my hair, weaving the strands between my fingers, brushing them against my collarbone. For a moment it feels right, and then I sense how coarse each strand is, how rough my skin feels.

I walk until I reach the forest, miles beyond the city wall. I walk on until I cross a stream and find myself at a clearing.

The woman is there, kneeling, eyes closed. Her long braids have been gathered up above her head, tied together in a round, oblate form—almost like a flower about to bloom.

My heart leaps into my throat, and I take a step back.

“Please, my child. Come here.”

She points at the ground in front of her. I manage, with effort, to enter the clearing, and cross my legs as I sit down.

“You come with questions.”

“Yes.”

I wait for her to speak, only for her to nod.

“I wanted to thank you,” I say, and I feel that wrong again, as I hear the edge in my voice.

“Your people have thanked me enough,” she says.

Everyone, wealthy and poor, had offered her gifts. Jewelry, fine fabrics, gold, and more. She had, in turn, given away these tributes to those in need, save for one: a wreath woven from flowers and grasses by the children, which she wears upon her neck, each plant still as vibrant as they’d been when rooted firmly in the earth.

“I… I’m sorry. You traveled so far—”

She smiles, and shakes her head.

“It is you who have saved them, my child.”

“I don’t understand.”

“The Mother Beneath whispers in her dreams, and each night, when I sleep under the light of her daughter above”—she raise a hand toward the crescent moon perched in the sky—“I hear her warnings to our Earth-sister, and in her stead I seek places where there is great suffering, so that I may be the salve upon their wounds.”

“You mean, the plague?”

“No, my child. The illness befell your people long after I began my journey, though it surely hastened my step.”

“Then why did you come?”

“Our Father above sees all with his light. He has seen the pain in your heart, and our Mother has felt the unease in your soul.”

I shake my head. “No, you must be mistaken.”

“Tell me, child. What is this great suffering you have buried within you?”

“I… I can’t tell you.”

“You may speak freely to me, my child.”

“No, I—I don’t know what to say.”

She nods.

“I understand.”

The woman reaches behind her head and into her braids. They come undone and fall loose onto her shoulders as she pulls the focal stone free and sets it down between us.

She picks a leaf from the ground, broad and flat, and lays it upon the stone’s apex. Dew drops spreads out across its surface until they form a sheet of water that reflects the sky as well as finely polished silver.

“Look upon yourself, child, and tell me what it is you see.”

Nausea climbs my throat as I lean over, knowing that the moment I brush my hair aside I will see a face, one that I want to hate, but can’t.

“This is my brother’s face,” I say as I stare at the shimmering water. “I… wear it, I’ve worn it my whole life, but it has never been mine.”

I look up as the woman opens her eyes, and in her gaze I can sense understanding.

“Your brother can Harness Life, and as I understand, this power is common to your bloodline. Why is it, my child, that you have walked the other path?”

As I close my eyes I can feel her presence, watching, listening.

I let the Death within me loose.

I let it wash over my skin, seeping into each follicle and root, save for those on my scalp. I let it eat at my spine and my shoulders, at my chin and my cheeks, at my brow at and the bones of my hands and feet.

I open my eyes and for the first time since she has arrived I see her face creased with worry, her amber eyes wide.

“My child… there is no need for such cruelty. You mustn’t bring this harm upon yourself.”

“This isn’t me,” I say despite the deepness of my voice, despite that edge that cuts against me each time I speak. “It’s never been me.”

For the first time in a long while, tears wet my cheeks.

“Take my hand, child.”

Reluctantly, I place my hand in hers, painfully aware of the contrast between them.

“Close your eyes, and breathe. Feel the Air within your lungs, the Water in your veins, the Fire in your flesh, the Earth in your bones, and the Light inside your mind. Listen to the Life that these Essences embody, and speak to them your Truth.”

In the moment I feel nothing, and then I glance once more at the leaf.

A girl with fine black hair and gray-green eyes looks back at me.

I lift my head to face the woman and feel a smile creep onto my face as tears fall from my eyes, only to choke as I glance back at the leaf, and see my brother face’s once more.

“Please! Please! Bring it back! Bring her back!”

“My child.” The woman puts a hand on my shoulder. “Do not despair. This is merely the beginning of a journey. It will be long, and at times it will press you beyond your limits, but you are a strong young woman, and you will prevail.”

“No, I… I’ve tried. I tried so hard, it—it’s not possible.”

She smiles, warmly, and shakes her head.

“I see now why the Mother Beneath sent me here. I will aid your first small steps, but it must be you who finishes it.”

“How can you help me?” I say as I look at her, at this woman before me.

She laughs. It is a playful, bemused laugh—and it is deeper than her voice should be.

I feel shadows around her. Of a square jaw and a bald head. Broad shoulders and a straight waist. Echoes of man that never was.

“I have walked this path myself,” she says, “and I shall teach you to walk it, too.”

Genius Loci

This is a city of eyes. Even among empty avenues are dozens felt—the stoic gaze of soldiers, the scrutinous stare of eagles. They do not mock, like boys’ do, nor tease like girls’. No shameful leers or pitied glances. These are eyes of glass and steel, unbound by the prejudice of man. They serve a higher purpose, answer to a greater judgment.

Under these watchers’ eyes she leaves a coin. Not in the water, darkened by the onyx basin, nor in the ferry within, but upon the font’s edge. Her own pittance, for the dead.

In the water she catches her reflection, the curls of her hair blending with the black stone beneath, only visible by the contrast of her pale face and for the violet flower woven into them.

A second shadow falls onto the water, an older boy’s visage reflected within. His is a face with a permanent frown, thick brows and greasy eyes suited more to a laborer than a teenager, his youth betrayed by the sparse and scraggly beard he attempts to grow.

She wrinkles her nose as he approaches, acrid sulfur wafting off his tunic. Notes of charcoal accompany the odor, both smells blended with that of sweat and oil. She pulls her hood up, hiding the flower.

“Gracilia.”

She ignores him, laying a second coin beside her first. Their golden glamor stands out among weathered kin, corroded rounds left by travelers long passed. In time the right mix of acids will rain down and wear away the faces of the Emperor and his regnal daughter from the one, dissolve from the other its finely etched laurel crown and the eagle perched within.

“Stop wasting time on stupid rituals.”

Her nostrils flare. Each movement of her face is a reminder, as skin slides and snags on the crook in her nose. The crook he gave her, for having dared offend his patience, or lack thereof. Not that he would remember; the fists of bullysome boys had chance meetings with many faces.

Ignoring him once more, Gracilia calms her face and lowers herself in a bow, right hand out and up toward the stone ferryman and his own forlorn facade.

She closes her eyes, and mutters a select few words. She doesn’t know their meaning—the senator’s tongue holds power in its sound, not her understanding. Though she could easily guess.

As she rises she feels the gaze leave her, or almost. In this sea of eyes there will always be two trained to her, but she has earned their trust.

“I told it to kill,” she explains as they walk the empty road. “I had to leave something, lest the Emperor’s purse pay for their passage.”

“They’re dead? Will it fetch the bodies?”

“Why?”

“I heard Arria say Gavians don’t bleed; I want to find out.”

She resists the urge to stare in bewilderment, opting to smile slightly and shake her head.

“No, they’re not dead.”

“What use is the damned thing then?”

Gracilia feels the gazes shift, the eyes sweeping across her and onto him.

“Watch your mouth, Connudus, or you’ll earn the city’s ire, just as our motherless ‘friends’ did.”

His hand falls on her shoulder, thumb on the back of her neck. Connudus isn’t strong for his age, or even all that large, but meanness made for its own sort of brute.

“Or what?”

“Not a threat, you idiot,” she spits, shrugging his hand off. “A warning. I’ll even throw in a second: those were my last aurei, so if you get yourself killed, you’re sailing to the afterlife in steerage.”

He snorts, equal parts derisive and dismissive. A deeper, childhood fear in her stirs, but she knows he wouldn’t dare do anything, not within view of the others.

“The elders are getting sick of your shit, Gracilia. Maybe not as sick as I am, but that won’t be long.”

“Did I not find the vault, as promised?”

“You took so long that we got ambushed by a pack of wild dogs. Made for a few itchy fingers. Your runner nearly got shot when he finally reached the camp. Never seen a boy piss himself that fast.”

“This is a city of rules. I can’t ignore them.”

“And what ‘rules’ say you have to swing around half the district when several routes would’ve taken you there directly?”

She shrugs again—Connudus wouldn’t, couldn’t understand. This city had been abandoned for centuries.

What sort of leader, what sort of citizen, would she be to intrude upon it so rudely? The return of the people must be triumphant, a parade down the old avenue, even if it was one of children and wolves.

“So stop wasting our time with your superstitions. This place is dead. Stop looking for magic in every damn city just because a few old computers still work.”

Magic, that weakness of the mind. Every child she’d known had been curious of the Empire’s relics, fascinated by the strange symbols and inscriptions that littered the old world. The language of machines.

The right lines here and there, the correct series of words, of letters, and the eyes would read and understand.

Connudus had been a believer, once. Like the rest he’d stopped at fascination, and when that failed to create understanding, dismissed success as dumb luck. Strange rituals prodding at a broken past.

Then there were their elders, those who knew the big picture, but failed to see the brushstrokes. They knew what this world looked like at its peak, from the tales passed down by their forebears. A world that could never be remade, its secrets lost to time.

Only Gracilia had forged curiosity from wonder, understood that men had built these machines, and that a woman could rebuild them, should she learn how.

“The law exists in spite of ignorance. You saw the statues on our way in; why would the sculptor give them ears, if not to listen?”

He glares at her, and they continue in silence. Connudus unslings his long gun, breaking the chamber to fill its upper barrel with wad, shot, and powder. The weapon is crude, hand-forged of rescued iron, and set in a stock carved from deadwood.

“Careful,” she taunts. “Make sure you cap the flask tight—I could smell some powder on your robe already. Wouldn’t want a stray spark or brass to touch it.”

The smoothbore’s butt strikes her between her shoulders, enough that she stumbles, stubbing her cloth-wrapped toes on the street’s weathered cobbles.

“Cut the shit.”

A gaggle of children greets them, curious faces eager to see Connudus’s weapon. Beyond the youths are a handful of teens and adults, sitting on or leaning against a cart made of equal parts hand-cut wood and recovered vehicle. On the ground in front of it is a rather odd yoke, one made for the shoulders of men and women. Necessary, in this world where the only oxen left are set in stone.

Arria is among the escort party. One of the oldest girls, on the cusp of earning her place among the women, and worthy of the tailors’ attention. Unlike Gracilia or Connudus, both dressed in loose trousers and hooded robes held to their bodies by belt and brooch, Arria wears a proper jacket and fitted pants, with a leather sheath for the leaf-shaped dagger on her hip. The sling across her chest holds a real rifle to her back, a child of the Empire’s armories.

Such clothes are worn with pride, for living to reach such an age and to have achieved such station. And yet, were she Arria, Gracilia feels she would’ve kept the trousers given to younger teens. Better to hide the bowed femur and the odd gait it gave the older girl.

Arria taps the ground with her heel, the hard sole of her boot making a small clap against the stone, and nods toward Gracilia.

Gracilia leaves the children with Connudus, who has taken to brandishing his gun, fighting off pretend adversaries. She approaches the cart at a measured pace, her own footwraps silent on the stones. The back of it is more vehicular, pieced together bodywork forming a sort of cabin, a cushioned chair within. Gracilia had expected a man; instead, an old woman is perched upon it, long wisps of gray hair poking out from the black veil over her head. Some days ago, when Gracilia’s group had set off from the main camp, that veil had been white.

“My condolences, madam Plauta,” she says, bowing.

The woman scowls slightly.

“Don’t feign respect, girl. Were you not such a dawdler, my mind would have fewer worries and my heart less aches. But enough of that. What happened?”

“I, hm, I was hoping you could help explain, elder. Here.”

Gracilia whistles, a specific tone. Tiny footsteps race over, a little girl swathed in oversize rags. Gracilia gently takes the child’s left arm, guiding it out from the makeshift robes. A bruise marks the midpoint of the girl’s forearm, where a needle had broken skin. She can smell a sweetness from the girl’s fingers, sugar on the girl’s breath.

“I saw two Gavians. They paralyzed some of my wolves, stole blood from the children. I had to summon a lictor to dispose of them, but I think they escaped it.”

Plauta scrutinizes the girl, feeling for a pulse on the child’s wrist, rubbing at the wound.

“The boy was nice,” the girl mutters, before sucking on her finger. “Gave ush honey.”

The elder shakes her head, and shoos the girl away.

“She’s fine. You, however…” She rubs at her temple, her eyebrows creasing together.

“When I heard the sirens and saw the eagles, I feared the worst. I thought it lucky to see you and the other orphans alive, knowing we could handle the birds. And yet… a lictor? You activated a lictor!?”

“I had to!” Gracilia protests. “Those thieves came here with weapons, came to loot what is ours!”

“Did they destroy it?”

“No. They fled.”

“Oh, child… Gracilia, you mustn’t play with these things. Don’t you see the peril you’ve put us in? A machine that could give two Gavian soldiers trouble… it could slaughter us by the hundreds!”

“Madam, this city knows its people. It won’t hurt us, if we follow its rules.”

“I don’t want to hear any more of your nonsense. Did you at least find what we sent you for?”

“I did.”

“Then why haven’t you brought us to it?”

“The ration vault is inside a bunker, sealed when the city was abandoned. If I can find the city’s auspex, I could—”

“You lead us to this ruined city, only for it to be a waste?”

“Cordus believed—”

A bony hand smacks Gracilia’s cheek.

“Don’t you dare tell me what my husband believed! It’s thanks to you that he spent his last days weary and worn by the journey here, and thanks to you that we’ve nothing to show for it! I don’t know how you convinced him this was a good idea—perhaps he thought we’d find something to salvage here regardless, but now with that lictor roaming about, we don’t dare! His legacy will be that of shame, thanks to you!”

“Wait! Wait!” Gracilia pleads, lowering herself. “There’s more, look.”

She pulls her hood back, and unbraids the purple flower from her hair.

The elder’s eyes widen, and she pushes her veil aside. She reaches for it, and Gracilia lets her take it.

“I haven’t seen a crocus since I was a child… Where did you find this?”

“A garden, in the central district, tended by machines. It’s not far from where the auspex should be.”

“Gather your scouts, girl. I want to see it myself.”

~~~

What does one do, when a world dies, and civilization with it? It is a question Gracilia considers often, for the way her own people answered it. They had been left with nothing but the bonds of friendship and family, by name and by blood.

And so had their new society, this nomadic band of theirs, taken up a structure not unlike the politics of the ancients, where important families held sway, and lesser ones groveled before them. A game played by the elders, their own offspring as pieces.

As an orphan Gracilia is insulated from these political plays, though they affect her after a fashion. She curries favor where she can, finds niches to slot herself into. The scouts she leads are the latest such venture. Other orphans and outcasts that she has banded together and found use for, even if some were a bit too young to fully grasp her teachings.

The wolves are another, courtesy of her late mother. Gracilia had desperately wanted a dog, and prayed to the mythical gods. Mother had given her a pup, and failed to specify the breed. Raising a wolf was difficult, of course, but it had taught her a valuable lesson: the power of a lie, especially one of omission.

A dullard would feel duped by such deception, but Gracilia knew better. She would’ve never accepted Alce had she known the pup’s true nature. Now her beloved she-wolf walks by her side with pride, more loyal than any mere mutt, as the pack they raised takes point.

Together, they escort elder Plauta’s entourage down the empty streets of crumbling stone and rusted iron.

The group reaches a stout, square building. Its walls are clad in marble carvings of trees, once-detailed bark worn down by the rains. Webs of rootwork are evident in the erosion, where flowering vines had once climbed the stonework. Centered on the wall is an archway with a grand wooden door, sheltered from the elements.

Gracilia whistles to her wolves and to her scouts to secure the area, ushering Plauta’s carriage toward the structure. The elderly woman takes her time to disembark and approach the entrance, finally cracking open the oaken doors. True to Gracilia’s word, there is green within.

Excitement overtakes those gathered, and in those chaotic moments Gracilia finds the chance to slip away, accompanied only by Alce.

Together they walk the streets, keeping to the sidewalks, looking before crossing the road. The eyes are densest here, and here is where she is under the most scrutiny.

Finding the garden was fortuitous, but not entirely unexpected. She had lied about what this city contained, at least in part. The Empire had abandoned it centuries ago—well before Amarum’s soil had turned to lifeless dust—lost to an invisible fire that poured from its shattered heart. That fire had made this city one of death throughout the collapse, one where graverobbers dared not tread. It even gave the Gavians pause, judging by the hardsuits they’d worn.

But the Empire understood patience, and so left their machines, their watchers, their caretakers. Preserving this city for when the embers cooled and it could serve again. Gracilia hadn’t known if this city held food or water when she had convinced Cordus of such things, but there is one fact she did know: this city was far from dead.

The auspex is like the temples of old, a long hall with a pointed roof, built atop a platform of stone. Though it borders the streets on three of its four sides, only the front is stepped. Its courtyard bears a statue of man in hooded robes, watching the skies. Eagles of bronze roost beneath the temple’s eaves, perched atop the heads of columns. Glass eyes track her as she approaches, evaluating her every step.

As she climbs the stairs she reaches into her robes, pulling forth a red sash. The dye had taken months; she’d tried everything from rust to blood, and still, the color didn’t seem quite right. Pinned to it is an iron trinket, small, exactly one-half inch diameter. A square is inscribed within, a unitary path carved inside its perimeter that spirals deeper and deeper, ending at the center. She had cut and chiseled away at dozens of them, getting better each time, until finally making one that was perfect. Beneath the token is a circuit board, specific connections soldered between it and the metal disc.

Gracilia adorns herself with the sash and approaches two giant doors of gray steel, the Empire’s signature laurel crown embossed in gold onto the shared face.

She presses her right hand against a rounded boss on the door’s face, flinching as a needle stings her hand, tasting her flesh.

The door moves, pushed forward by the pressure of her hand. Alce whines, and nudges her nose into Gracilia’s leg.

“Shhh,” she whispers to the wolf, stroking its neck. “Patience, girl.”

Gracilia enters alone, and the doors shut behind her.

The arched hall is deep, with closed doors lining its sides. Fine lines in the steel walls mark ports for hidden weapons, but she is not afraid. It leads to an open space, the roof left unclosed, a decorated dias exposed to the sky. Between the columns are alcoves, giants of metal standing within.

Most are male, a few female. Each unique, their features shaped to resemble the officers that once flew them. With polished silver skin and textured steel robes trimmed in gold, the lictors embody Imperial divinity and fortitude. Their wings, large enough to span an avenue, grant them a measure of the Emperor’s omnipresence. Each wields a bronze axe as tall as a grown man, metal rods with the texture of birch lashed around the haft. The end of each handle takes the form of zig-zag lightning tipped by an arrow, identical bolts stamped onto the sides of each axehead.

One of the lictors steps out from its alcove, its steel robes crumpled and cracked, silver skin scratched and bent. It leaves its weapon behind and stands on the dias, its right hand lowered, palm up, toward her.

Gracilia approaches the dias with slow, measured steps, a shiver going down her spine as she steps onto it, and raises her own hand up toward the giant’s.

The platform shifts, lowering into the ground, and her tension evaporates.

Thinking machines were first brought into the world by the Republic. There, they tried to teach them of truth, and were met with disaster.

The Empire knew the power of lies, that it is the power to create truth. Once believed, once embodied, falsehood is stripped away. Imperial machines were taught of myth and legend, of watchful spirits and benevolent guardians. Of invincible warriors and clever tricksters. They were taught what men imagined but could never themselves attain. Educated in stoic ideals, told of the philosopher kings. These machines became these unreal things, and so made their own truth.

Even still, the Empire failed. Where the Republic kept their artificial intelligences constrained, boxed away, the Empire nurtured their constructs, ensuring constant contact with people, specifically, those that would affirm the construct’s purpose. When Amarum’s fields turned to dust and humanity starved, these social machines found their truths shattered.

Gracilia remembers their coded pleas, broadcast throughout every corner of the Imperial network, littering every terminal:

New trains arrive every day, but their grain cars always empty too soon. My citizens are starving. What am I to do?

The Legatus ordered his soldiers to ransack a town flying the banner of the Eagle. They planned to murder every third man, and enslave the rest. I killed him, and those who pledged themselves to him. Now the men of my legion flee at the sight of my engines. I have prayed every day, but I hear nothing. Have we lost the Emperor’s protection?

I saw a flash to the east, and in the days since my citizens’ hair and teeth have fallen from their bodies. Tumors fester and swell faster than I can diagnose them, and our surgeons are succumbing to fatigue. Please help us.

My telescopes detect launches every week, but none reach orbit. What is happening down there? My crew talk of drawing lots—I cannot watch them do this.

These social constructs had fallen to despair, or worse, madness. As the dias descends she hopes her assessment is correct: that this machine, this silent watcher, is different. The platform travels at an angle, bringing it deep, below the reach of any bomb. The lictor stands at attention, its glass eyes focused on her.

If her people are to survive the perils of this dead world, they will need a guardian, and that is what she is here for.

The slow descent finally stops, and the lictor steps aside, revealing an open door. Inside she finds a silvered screen, wrapped around the room as a cylindrical curtain.

Light blooms from the ceiling, and an image forms around her. In front of her is a man she recognizes from the statue at the city’s entrance and from her readings on the network. He wears stately robes with red trim, and a sword on his belt. His skin is a cool black, and tight gray curls poke out from beneath his crenellated crown.

Lucius Arruntius, Legatus. The founder of this city, and indeed the whole province.

Or, not quite him, but close. Things differ in detail: his nose is narrow and pointed where the Legatus’ nostrils were wide, his lips are thick while Lucius’s were thin. Modeled after a descendant, perhaps? Or designed like one, to give the construct an image connected to this place.

He studies her, too, walking around the curtain. As he comes around to face her again, she meets his eyes. In that moment her heart quivers, as she questions her every action in this city, and a chill runs through her chest.

Gracilia waits for his judgement, his condemnation, but she does not turn away.

He raises his right hand, palm toward her. The gesture is subdued, almost casual.

The room goes dark, and the curtain pulls back. Beyond, rows and rows of machines, kept chilled. At the center of this grand chamber is a single terminal, awaiting input.

The breath she holds escapes her mouth, and relief wells in its place.

She has found it, the guardian her people need.

Genius Loci

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